![switcher studio nascar switcher studio nascar](https://documents-public.yumpu.news/g1pef099xlvhlno3pkbxesczlwo7p4cb/a252edbb09de9db10a50faa6a9e0c43d/4b506e386a576e306b385a4a774b4c6b39412b3048673d3d/66544f6173684b6d5531626b4e4c75734872435638513d3d.jpg)
The 2020 NASCAR season, which ended on November 7, is a really great example of this. Here, the switcher is operating as usual – there’s no difference between having that piece of equipment in an OB truck on location, in a truck located elsewhere, or in a studio.
![switcher studio nascar switcher studio nascar](https://i.ebayimg.com/images/g/DUAAAOSwcpJe0s-g/s-l300.jpg)
In this case, the cameras are the only significant piece of equipment at the live location, with all camera signals sent back to the main hub.
#Switcher studio nascar tv#
And, sometimes, even separate from other parts of the workflow, like replay.Ī centralized model, where the production suite, with a director, producer, TV replay, and all the equipment, are at a fixed centralized facility, is the most common. The only difference in a remote scenario is that the equipment is located away from the live venue. It’s key to building the various elements of a show, such as rolling in replays and loading graphics. Whatever approach you take – whether it’s SDI or IP, in an outside broadcast (OB) truck or a remote location – the switcher is the hub of the production. Remote workflows are flexible enough to handle a wide range of needs, and there’s no one size fits all approach, allowing customers to choose the flavor that best suits them. With live sport increasingly returning to our TV screens, this approach allows customers to keep telling the great stories that fans expect, even in these challenging times. COVID-19 has accelerated this trend, and as customers navigate through social distancing measures and prioritize staff safety, remote models come into their own. Before the global pandemic hit, remote production was already gaining ground, with many of our customers – such as Star Sports in India and SVT in Sweden – successfully transitioning their live sports productions to more centralized models.